Posts in Uncategorized
Speakification activities

It's often true in classes in Palestine (maybe in classes all of the world) that learners know lots of words in English but they are not always so good at using these words in their own utterances. So perhaps one of our jobs as teachers is to design activities which challenge learners to speakify language.

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From Gaza to Jerusalem

It was wonderful to witness the enthusiasm and sheer joy that 15 girls from Gaza felt when they visited Jerusalem, took part in a drama workshop with young Palestinians of their age from Jerusalem, and performed their plays at the Palestinian National Theatre.

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Animated stories

This week we have a post by Luzan Mattar, a teacher at Beach Elementary Co-ed (C) UNRWA school, Beach Camp, Gaza who has been coordinating HUP sessions in her school for a long time now. Luzan is very interested in using drama activities and her students performed one of my favourite plays in last years's competition - 'I will wait till they open the gate' .

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From Milan to Khan Younis with love

As two English teachers , we like the idea of connecting our students together to help them improve their English language and make new friends at the same time. We believe that using zoom sessions on the internet can be the best way to do that. Our students can hear, see and interact with each other easily and effectively. Therefore, we decided to write our reflections of this wonderful experience from our different points of view. By Erica Napoli (in Milan) ....

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Our visit to the UK by Sahar Siyam

In English classes in Gaza people sometimes ask " If you were in Britain, what would you do?" They do this as a way to practise the second conditional which as you know is used for talking about unreal, hypothetical situations. One day in January this year I suddenly realised that for us this situation wasn't hypothetical any more. I was chasing something possible; the long – awaited dream was going to come true. The unforgettable journey started when the HUP announced the winner of the Remote Theatre Competitions 2019.

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Storytelling with a twist (or many twists)

As a writer of English language teaching materials, I like it when a teacher comes up to me at a conference and tells me that they've tried out an activity in one of my books and that it worked really well. It's particularly fulfilling when I discover that actually they've adapted the activity quite a bit to suit their own teaching context, as this means that they haven't just blindly followed the instructions but have really taken it to heart.

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From Lima with love..

As a writer of English language teaching materials, I like it when a teacher comes up to me at a conference and tells me that they've tried out an activity in one of my books and that it worked really well. It's particularly fulfilling when I discover that actually they've adapted the activity quite a bit to suit their own teaching context, as this means that they haven't just blindly followed the instructions but have really taken it to heart.

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Remote theatre for children in challenging circumstances

At the IATEFL conference in Brighton last week, and again at the Hands Up Project conference at Westminster University which immediately followed it, Rida Thabet and I gave a talk about the special type of drama that The Hands Up Project is enabling Palestinian and Syrian children to perform through Zoom to audiences around the world. We have termed this form of drama Remote Theatre.

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Teachers’ Interaction During Videoconferencing - mediated Co-teaching

One of the things that I find most moving about the work of the Hands Up Project is the relationship that develops between the remote teacher and the classroom teacher. Alex Guzik in Russia and Sahar Salha in Gaza have been working together for well over two years now, planning online sessions together, feeding back to each other after the online session has taken place - even negotiating together what will happen next while the session is going on.

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Testing the teacher

In many language classrooms around the world teachers generally ask a lot of questions to students. They do this as a way to generate chat and discussion, as in 'Did you have a nice trip?' or 'What do you think Jbene should do now?', but they also do it to test the knowledge of the students, as in "What's the past of go? ' and 'How do we say سمك in English?'Recently, in my online sessions with groups of kids in Palestine, I've been experimenting with a technique that encourages the learners to ask the questions.

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Performance in Language Learning

We are excited to inform you that Saturday the 14th April will be the Hands Up Project conference at Westminster University in Central London. As you'll see below there is a fantastic line up of speakers and the climax will be a live performance by the winners of our playmaking competition - 'Inner Thoughts' from Khan Younis, Gaza.

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Practising what we pre-teach

The Hands Up Project isn't really very good at 'teaching' language. After three years of running this project, I've come to the conclusion that with all the power cuts, the often weak internet connection and the lack of physical presence, working online like this is actually quite an ineffective way of teaching anybody anything at all.

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The play as a project

Organising a play writing competition is a good way to motivate learners of English, but drama as a tool for learning has more depth, is more holistic, and is much more wide-reaching than an approach which only emphasises the achievements of the few groups that win.In this post I want to focus on the process based drama work of two Gazan UNRWA English teachers, Sahar Salha and Saida Almadhoon who, each in their own way, have incorporated drama into their English curriculums by turning the playmaking competition into a drama project.

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